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The
Beauty Myth Or Honey, I blew up the runway
By
C.Carr
Media Writer
7/31-8/6 1992
THE
MISS VAGINA PAGEANT HAS EVERYthing one might expect from pageant
spoofery without getting particularly heavy-handed about it. The
girls do appear to be in jail whenever the gold lame curtain opens,
but only because they're using the stage set for Fortune and Men's
Eyes. Most startling, the audience seems to be full of Industry
people. (Are they going to let us talk about vaginas on television
now?) And some of them laugh so hard they occasionally drown out
the dialogue. Sure, it's funny. But that funny? Perhaps they've
been trained in ritual abuse and low expectations by weekly attendance
at the Laugh Factory.
A beauty
pageant is the worst kind of sex show - the kind that pretends it
isn't a sex show -and it's obvious from the tide that MM.? Vagina
will bring this subtext to the surface. It also gooses the schmaltz,
so to speak. Given the banality of these pageants - the vapidity
required of "beauties" who have to prove their purity
while displaying their bodies to win a scholarship - it sort of
adds up to an easy target. But that's entertainment.
Our
candidates - the perky, the duddy and the dumb - represent several
states, the south side of Chicago, and the territory of "Trinidad
and Potato" (as its representative herself calls it). Miss
Southside is butch. Miss Tennessee appears to be a Valley Girl.
Miss Trinidad has a shit fixation. Miss Pennsylvania walks and poses
like a good-girl robot. And Miss New York is clearly in blackface,
which the other candidates fail to notice. Finally she explains,
"Women of color have a good shot at winning these things as
long as they have Aryan features."
The
talents they display are predictably small and amusing. Miss Trinidad
poses lasciviously with tools. Miss New York tells of Harriet Tubman's
escape from slavery, standup style. ("So I'm thinking, I don't
need this in my life right now.") And Miss Pennsylvania warbles
a string of sentimental non sequiturs ("I have climbed the
highest mountain in my very own canoe"). Any real feeling is
banned; any real issue is trivialized. That's as much the rule at
the real pageants as it is here. At the end, though, when each candidate
for Miss Vagina must answer the question "What is the most
important problem facing the world today?," we do get the banal
("Oppression is bad"). But one mentions reproductive freedom,
one cites the objectification of women, and Miss New York indicts
racism, maybe even her own ("I've learned a lot being black").
All seem serious. Meanwhile, slides of their body parts play over
a screen, each time ending with a crotch shot.
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